Positive changes are afoot! Physically, I’m finally back at that point where I can run on the treadmill without dying. I’ve changed up my usual nail polish color (once purple-ish black, now a killer red). And I’ve been chugging along with my new WIP, Phantom Fantasy, and having so much fun. Honestly, there’s no better feeling than having all of the words just spill onto the page and suddenly getting stuck in the middle—
Oh wait, that’s not positive. In fact, that’s very not positive.
But OF COURSE, when I encounter this stage, the eternal optimist in me automatically goes into survival mode and refuses to let the not-positives stand in the way.
Hitting roadblocks in the middle of drafting is TOTALLY normal for writers. I mean, we all lose steam eventually. Everything does, and it is our job to recognize when we need a resting period. Think about it, when you’re driving and you see the signs that your car needs gas (i.e. the needle of death drops closer to the empty side, the dreaded gas warning light comes on, etc.), is that the green light for you to keep driving for miles on end, hoping for the best? HELL NO. Nobody wants to be driving on empty. Not you, not your precious automobile, not anybody.
Writing can be a lot like that. A LOT. Your creative tank is only so full for a certain amount of time before you need to stop and refuel—at least for me, this is true. For the people who are just endlessly creative and productive every single day of their lives without complaint, you are just straight up superhuman. Are you even real?
I am definitely NOT superhuman like that. I started out drafting this shiny new WIP super strong; however, once the middle blues hit, they hit HARD. It’s inevitable, unavoidable, and all just a part of the process of cranking out a novel. Once you’ve made peace with that, the only thing you can do from there is to recover and rebound—give yourself the time you need to figure out your next game plan, and then jump back in.
For some reason, I find that this problematic portion of the writing process brings out my creative “fight or flight” response where my quickest thinking comes in. Frustrating as feeling stuck is, not only does it force me to look back on what I have of the story, but it sort of commands my brain to figure out what the story needs. This time around with Phantom Fantasy, I realized that I needed to know more about the world .
Soooo, how do I discover what parts of the story world I need in order to keep moving forward? Plain and simple: I make a deck of cards, and design fun games to go along with it.
Yeahhhh, when I type this out now, my method just seems so brutally unhelpful and maybe a complete waste of time. How will making some froofy cards possibly help me understand the intricacies of the world? The plot? The characters?
In a lot of weird ways, it’s somehow helping me understand the story WAY better than if I’d just sat down with a notebook and skimmed online article after article after article. Not that article-digging ISN’T fun (it definitely is), but creating these extra materials that exist in my world actually helped ground me in the story even more. It’s opening my brain to other possibilities, making me think about my story differently, and overall is giving me a physical tie to the world I’m writing about.
I was pretty stuck at one part during the week. But over the weekend, I sat myself down to fold sheets of paper, drew on them, and cut them out. It brought me back to first grade arts and craft time, and you bet I was enjoying every second of it. Someday I might post pics of them here when they’re not looking so rough and flimsy. To be honest, they’re really not the most sophisticated or well-crafted cards by any means, but they’re pretty dang awesome to me. Even more awesome, I forced my sister last night to help me do a trial-run of two games I’d invented to go along with the cards—and by some miracle, THEY ACTUALLY WORKED. Of course I need to fine-tune the rules a bit so that the games don’t last a thousand years, but the basics I have now are not a total disaster! Huzzah!
The time I spent making these cards was so valuable because it also motivated me to hand-write backstories of the world and a certain wicked character of mine. I also finally watched a documentary DVR’d for story research that I hadn’t been able to get around to until now. Even though most of my work wasn’t drafting, this experience helped me understand that it’s okay. There are other ways you can add to your story that’s more than just typing out words on a document, and I honestly believe using the inevitable ohgodimcreativelystuck time to explore these routes is such an effective way to breathe more life into the story. It felt just as important to my writing process for this book, so in many ways, I’m immensely happy that I got stuck in my writing.
Yup, the eternal optimist in me prevails once more.
Now, back to work. Onward.